However, more commonly, the costume is a lehenga-choli combination, with an optional odhni or veil. Traditional (and perhaps more specifically Hindu) costume sometimes consists of a sari, whether worn in an everyday style, or tied up to allow greater freedom of movement during dance. Greater numbers are also unnecessarily difficult to control since they are more likely to sound at unwanted moments, being affected by the movement of the whole of the lower leg, rather than just the ankle.Ī typical Kathak ghungroo set looks like this: This is generally regarded as unsuitable, because it is at some distance from the point of impact, giving rise to the upper levels of bells being prone to delayed sounding given the intervening space and amount of leg. Greater figures than this tend to involve the topmost circle of bells being tied further and further up a dancer's calf. There is a more or less accepted upper ceiling of 150 bells on each ankle. The usual number of bells is 100 on each ankle, although for the initial stages of learning or for children, 25 and 50 belled strings are widely available to allow the dancer to get used to them. The Kathak bells are different from those of other Indian dance styles, as they are not affixed to a pad or strip of leather, but rather are individually woven along a thick string. Ghunghru or ghunghroo are the small bells the dancer ties around his or her ankles.
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